Vibist Thomas also plays in a spirited, breezy manner on "The Madman's Difference", a recording that features the complementary playing of Neto on piano in a duel attack to Thomas's nine compositions. The title of the album is in reference to a quote by surrealistic artist Salvador Dali, who said, "There is only one difference between a madman and me. I am not mad." Oddly, the music is not chaotic, wild, or dissonant, so the sleeve reference to a madman seems out of place. However, it is an extremely well-played album that includes four quintet tracks with Piszczek on soprano to supplement the quartet pieces that use the rhythm team of Layes and Martinez.

Although Piszczek adds brightness to the energy of the session, Thomas's music is really about the rhythm that underlies the many intricate communications that transpire between Neto and him. The two set a pace that keeps flowing with constant sparkle. They seem to inspire each other with regular improvisational banter, continually interweaving one sound around the other. On "The Big Orange Concrete Snow Disk," they play the only duet of the album. It is a fine example of their compatibility and responsiveness to each other. Burton and Corea set the standard for this form of music, yet Thomas and Neto have attempted to carve their own identity. This same successful interplay permeates the other tunes as well, giving the album a fast-paced gait and vitality.

Thomas closes with a vibes solo. He is lyrical and at the same time inventive with his multi-phonic tone. This well-executed album has many interesting facets to recommend it.

Reviewed by: Frank Rubolino
Cadence Magazine
March 1999